September 25, 2022

Andrew Kung Makes Simple Yet Timelessly Beautiful Photos

Andrew Kung: I first began making images my senior year of college while I stayed in business school– I utilized only an iPhone and keep in mind checking out different scenic areas in San Francisco, my hometown. It wasnt till I worked in Silicon Valley that I met a buddy who was an industrial design; I began taking more pictures of him throughout lunch breaks and after work and he introduced me to the company of photography. I ended up being more curious about photography as a profession and as a result, moved to NYC through my business and chose to become a full-time photographer after making a larger body of work and conference more individuals in the market. It has now been 6 years because my career shift and I havent looked back since.

Andrew Kung Makes Simple Yet Timelessly Beautiful Photos

Phoblographer: Talk to us about how you initially got into photography.

Andrew Kung Makes Simple Yet Timelessly Beautiful Photos

Phoblographer: Youre a picture and individuals photographer who finds a way to stabilize tender, simpleness, and grace minutes in a frame. What made you get into shooting individuals like this? Tell us about your influences.

Andrew Kung Makes Simple Yet Timelessly Beautiful Photos

Andrew Kung: Ive constantly been drawn to both visual and narrative explorations of intimacy and inflammation, from Asian cinema references to more narrative professional photographers like Larry Sultan; the kinds of storytelling that move me, combined with the colors and light that come up with these feelings, actually motivate how I make my images. Ive constantly been interested by intimate conversations, relationships, stories and try to find different visual expressions that enhance the narrative that Im attempting to express. Eventually, I want to convey an emotional understanding of a story no matter how basic or complex.

Andrew Kung Makes Simple Yet Timelessly Beautiful Photos

Phoblographer: Your work has a traditional Norman Rockwell, painterly type aim to it. Some images seem like Im looking at the motion picture American Beauty (without Kevin Spacey), while other images appear like other 90s films. Do you keep these impacts in mind as referrals when you shoot and produce?

Andrew Kung Makes Simple Yet Timelessly Beautiful Photos

Phoblographer: When you produce, do you seem like you are making the image making process more about the person in the frame or yourself? Do you direct yourself in the images or are you making an area for folks to be themselves?

Andrew Kung Makes Simple Yet Timelessly Beautiful Photos

“If you take a look at any of my state of mind boards or inspiration boards, Im referencing movies by Wong Kar Wai, Edward Yang, 1900s fashion photography, and even modern documentary photography …” says professional photographer Andrew Kung in an interview with The Phoblographer. “I work and take inspiration throughout categories as they all have an impact in each image I construct.” Looking at Andrews work is similar to exploring the complex tasting notes of a great bourbon. And, as he mentions, his work draws on different impacts and marinades to become something really unique.

Andrew Kung Makes Simple Yet Timelessly Beautiful Photos

Andrew Kung: I constantly have a narrative I desire to build in each image and in each body of work, however its a very collective experience. I never desire to just place topics into a frame and into my own story, but rather I engage and try with them about the topic/theme to figure out what their experience is like relative to the image Im trying to create. Oftentimes, these themes circle around ideas about Asian American identity, masculinity, belonging, and presence. I discover that this process is much more fulfilling and adds a layer of depth and nuance that is typically communicated through the subject in the image.

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Andrew Kung: In my innovative procedure, Im constantly referencing different mediums, whether it be paintings, movies, or other styles of photography. I work and take motivation throughout categories as they all have an influence in each image I build.

” My workhorse is the Fuji GFX 50s for more of my demanding shoots; I just recently bought a Ricoh GR IIIx for more casual, individual images. On days where I seem like shooting movie, Ill secure my Pentax 67 and some Portra 400. These three video cameras all have various use cases but they all push me to create and experiment more frequently.”.

Andrew received a short feature on The Phoblographer years earlier as part of our inclusivity and variety efforts. His works has all the lineaments you d want to look at in a great photobook. No matter what, youre in for a treat with his work.

The Essential Camera Gear of Andrew Kung.

Phoblographer: How did the pandemic reward you as an innovative?

Andrew Kung: I think about my social networks and my site somewhat differently; with my website, I want to reveal my preferred, best work– and sometimes thats just 15 images. I treat this almost as an art gallery or an experience that somebody has, remembering that individuals are only on websites for a couple minutes. With social networks, its a wider showcase of my work and permits a more continuous engagement with my images, so Im publishing and releasing a larger net of images.

Andrew Kung: The pandemic forced me to slow down as an innovative. Instead of constantly believing about the next shoot, the next production, I was focusing more on studying the craft of photography, looking at different motivations, and constructing new stories in my work.

Phoblographer: Your website showcases color and your Instagram showcases more black and white photos. Do you feel theres a reason for the clear delineation? Definitely folks interact with sites differently than social media.

Phoblographer: How do you feel youre altering as an imaginative?

Looking at Andrews work is comparable to exploring the complex tasting notes of a great bourbon. It wasnt until I worked in Silicon Valley that I satisfied a close pal who was an industrial model; I began taking more pictures of him throughout lunch breaks and after work and he introduced me to the business of photography. Andrew Kung: I constantly have a story I want to construct in each image and in each body of work, but its an extremely collective experience. Andrew Kung: I think about my social media and my site a little differently; with my site, I desire to show my preferred, best work– and in some cases thats just 15 images. Andrew Kung: As a creative right now, Im making a lot of work that is more individual– discovering methods to include myself in my images and believing deeply about my own identity, masculinity, and belonging.

Be sure to follow Andrew Kung at his site and Instagram page. All images utilized with consent.

Beyond making images, Andrew has actually spoken on ABC Live and has visitor lectured at different universities, from School of Visual Arts (SVA) to Fashion Institute of Technology (FIT). Prior to his photography journey, he participated in UC Berkeleys organization school and operated in Silicon Valley at LinkedIn.

Andrew Kung: As an imaginative today, Im making a lot of work that is more personal– discovering ways to include myself in my images and believing deeply about my own identity, masculinity, and belonging. While my previous work was also personal, I always represented broader narratives surrounding the Asian American experience. The new series Im dealing with truly takes a look at my own experience and at my own relationship with my topics.

About Andrew Kung.

Andrews work has been included on Dazed, i-D, Vogue, Artsy, AnOther, NOWNESS, CNN, NBC, and The New York Times and he has actually worked with chosen customers such as Glossier, The New Yorker, LOfficiel, Paper Magazine, Beats by Dre, and HBO.

Andrew Kung is a Brooklyn based professional photographer working throughout genres to explore styles of Asian American identity, exposure, and belonging. Through an intimate and thought about look, he examines how Asian American life is viewed and represented.