August 12, 2022

Between art and vandalism

A concern of Ord&& Bild on urban art, guest edited by Daniel Terres and Patrik Haggren, opens the concerns: Which urbanity? What art? And how does urban art relate to organizations and contemporary art?

Between Art And Vandalism

Is graffiti art or vandalism? A contrast with the work of public artist and sculptor Daniel Buren helps:

Between Art And Vandalism

Whereas Buren at work has the sensation of breaking a set of guidelines, specifically those of art, Zevs has a feeling of submitting to a set of guidelines, those of the city or whatever system he integrates. This is why Buren covers the city, putting striped posters on top of other posters, whereas Zevs improves certain qualities of the city by rendering noticeable its shadows, its imagery, or its contamination. If Buren can be understood as part of a progressive, which leads something such as a museum, Zevs is arrière-garde, given that he constantly steps in on something that others have left.

Between Art And Vandalism

Sterilizing the underground

Between Art And Vandalism

Patrik Haggren and Daniel Terres contribute with a text on how public attitudes to city art have actually moved from no tolerance to a tolerance with appointments. They supply examples of how city branding uses the visual appeals of street art while at the exact same time regulating other expressions– and how these methods connect to the segregated city:

Between Art And Vandalism

Fredrik Svensk writes on looks, liberation and how metropolitan art has emerged in scientific literature. A vital concept of city art can be understood as an art of precarization, which in some sense represents the space that has actually arisen in between the visual cultures guarantee of an informed bourgeois life and its financial conditions.

Between Art And Vandalism

Despite the creed of cultural policy to promote artistic liberty, it formerly prevented images recognized as graffiti and street art from happening on public initiative in cities such as Stockholm, Helsingborg, Borås and Gothenburg. Today, the exact same cities market themselves with street art celebrations, where art needs to represent wellbeing and a safe urban environment through control of the material. Demonization has actually been changed into “tolerance”. In a market-adapted and instrumentalizing discourse, looks ends up being either a tool to develop a distance to or bridge social disputes.

Between Art And Vandalism

Transgender cultural organizing

This article belongs to the 18/2021 Eurozine review. Click here to sign up for our weekly newsletter to get updates on reviews and our newest publishing.

In order to provide trans people with a dignified life, Casa Chama sets in motion allied experts to offer health and legal support, develops work autonomy programs, deals with damage reduction, enhances trans governance together with trans politicians, battles administrative violence and campaigns for a constitutional basis for civil rights.

Isabel Löfgren composes on cumulative techniques for care amongst artistically active transgender individuals in Brazil, concentrating on the company Casa Chama. The São Paulo NGO, Löfgren writes, was developed in 2018 to strengthen and safeguard the cultural production and lives of transvestigender artists as one of a number of grassroots mobilizations against the anti-culture and transphobic politics of Jair Bolsonaros extreme-right federal government. Quickly after its start, the organization saw a much higher requirement to safeguard as many transvestigender lives as possible from trans necropolitics.

Brazil has the worlds highest rate of transphobic criminal offenses in the world and life expectancy among the trans population is 35. The typical fate of many trans women in the nation is some mix of homelessness and sex work. Although São Paulo has the greatest variety of trans persons affected by homelessness and poverty, social acceptance and exposure of HBTQIA+ persons is growing– not least as an outcome of the city being home to the largest Pride parade in the world.

And how does urban art relate to organizations and modern art?

Is graffiti art or vandalism? Whereas Buren at work has the feeling of breaking a set of rules, particularly those of art, Zevs has a sensation of submitting to a set of guidelines, those of the city or whatever system he integrates. Despite the creed of cultural policy to promote artistic flexibility, it previously impeded imagery recognized as graffiti and street art from taking location on public effort in cities such as Stockholm, Helsingborg, Borås and Gothenburg. Today, the very same cities market themselves with street art celebrations, where art needs to stand for wellness and a safe urban environment through control of the material.