September 25, 2022

Is the Fujifilm X-H2s Finally Fast Enough? First Impressions

The large grip is a comfortable suitable for my hands. However, it naturally makes the top controls a bigger stretch than the smaller realty of the X-T4. It positions my index finger within simple reach of the shutter, front dial, and ISO button. The white balance and customized Fn button are simpler to reach with the thumb, which can likewise simply grab the joystick, AF ON, and control dial at the back of the cam. But all those controls need a bit more stretching of my fingers than the X-T4s controls.

Is The Fujifilm X-H2s Finally Fast Enough? First Impressions

The body is weather-sealed. I briefly held it under the sprinkler with the 18mm WR lens connected, and it fared just fine. Ive yet to identify sensor dust but will continue inspecting as I continue putting the camera through the paces for the full evaluation.

Is The Fujifilm X-H2s Finally Fast Enough? First Impressions

While I have more to shoot with the X-H2s, my first week with the camera has actually shown much promise from the $2,499 body.

Is The Fujifilm X-H2s Finally Fast Enough? First Impressions

The drive is a button at the back rather of a dial, over on the left side of the viewfinder beside the playback button. The back also houses an AEL, fast menu, menu controls, and a back/display button. 2 adjustable buttons on the front around the lens mount round out the list of buttons, among which changes the AF mode switch with a fundamental button.

Is The Fujifilm X-H2s Finally Fast Enough? First Impressions

Develop Quality

Is The Fujifilm X-H2s Finally Fast Enough? First Impressions

The Fujifilm X-H2s feels a bit like the Nikon D850 and the Fujifilm X-T4 had an illegitimate love child, but thats not bad. The electronic camera fits together a large, DSLR-like grip and secondary LCD screen with a classically Fuji-shaped magnesium alloy body. Had I first got the X-H2s when changing from my D850 to mirrorless, I would have quickly fallen in love with that sturdy grip. Now that Im accustomed to my X-T4, I miss out on those labeled shutter speed and ISO dials. Im still a bit torn over whether I enjoy the X-T4s dials or the X-H2s grip more, but I think the bigger grip will come in helpful for the big sports and wildlife lenses the X-H2s autofocus system is produced.

Is The Fujifilm X-H2s Finally Fast Enough? First Impressions

On the grip side, the X-H2s houses a CFExpress slot and an SD card slot. The opposite side homes mic, usb-c, hdmi, and headphone ports. The bottom has the expected battery opening, a tripod install, and a port for a battery grip. The cover for the battery grip port comes off the body completely, so theres a possibility of losing this piece. The battery grip has a place to store this piece. Its sturdy and isnt going to come off unless you pull it off to add the battery grip.

I have blended feelings about the design of the X-H2s. I enjoy the bigger grip, but I miss the classically styled dials of the X-T4. Ultimately, the X-H2s is designed to deal with bigger telephoto lenses, making the sturdy grip the best route for Fuji on this particular design.

While the X-H2s looks a bit more DSLR-like than Fujifilms other bodies, the build quality is traditional Fujifilm mirrorless. The magnesium alloy body feels great in the hands and sets well with Fujis metal lenses. The body feels like its going to hold up fairly well, and when it does age, it will likely have the patina of a well-liked metal body.

Ergonomics

With the X-H2s, Fujifilms flagship when again seems like a flagship. The X-H1 was announced 2018, and going five years without an upgrade made the X-T4 more like the state-of-the-art choice with an upgraded processor and image stabilization. But, while the X-H2s is as soon as more at the top of Fujifilms line-up, it trades Fujifilms classically-inspired top dials for a larger grip and a secondary LCD screen.

The three-inch LCD screen flips out to the side. It has a variety that permits selfies and closes the screen into the body to conserve battery or prevent scratches.

This displays the direct exposure settings, mode, file type, white balance, and color profile with a fast glimpse. Hopping over the viewfinder bump and hot shoe slot, youll discover a real mode dial with four manual modes, seven custom-made slots, a filter mode, and video.

Fujifilm is well-liked for the colors coming from the X-Trans sensors and film-inspired profiles. But, the brand has actually lagged behind in regards to the smart autofocus and quick burst speeds coming from Canon, Sony, OM SYSTEM, and Nikon flagships. The Fujifilm X-H2s aims to fix that, finally bringing animal eye AF, vehicle detection, a 40 fps burst with constant autofocus, and a no blackout viewfinder.

The Fujifilm X-H2s feels a bit like the Nikon D850 and the Fujifilm X-T4 had an invalid love kid, however thats not bad.

Reduce of Use

I want to schedule my last viewpoint on Fujifilms brand-new animal eye AF till I attempt it out with a longer lens than the 70-300mm. As it stands right now, Im discovering the X-H2s animal eye AF competitive, however its not going to take the crown from Canon or Sony. Its good enough that professional photographers who enjoy Fuji colors and ergonomics should not be discouraged.

The Fujifilm X-H2s gains in-body stabilization. And it does so with flare– the stabilization system is ranked to 7 stops if you have the XF 35mm f1.4 lens, and a little less with other lenses.

One of the huge perks of the X-H2s is the viewfinder thats made to keep up with its 40 fps shooting speed. The viewfinder does not blackout with each frame; theres a quick flash of black after the very first frame, and after that the viewfinder stays continuous. That makes it simpler to follow the action mid-burst. If you prefer the tilting three-inch screen over the 5.76 m million dot viewfinder, the screen has the same no blackout.

Adding animal Eye AF and item AF is a huge advance for Fujifilm. Naturally, I spent my first shoots with the X-H2s testing out those new features, mostly with bird photography. The Animal Eye AF is a bit of a combined bag. When the camera discovered the eye of a gray bird on an assortment of gray branches, I was impressed. But, there were a few times with a bird against a quite tidy background where the video camera wouldnt concentrate on the bird, even with the joystick moving the centerpiece to that part of the image.

Im still testing out the X-H2s autofocus system– Ive yet to give the electronic camera a real low light test. So far the X-H2s sits in line with what Ive come to expect from Fujifilm– its a good autofocus system, not quite the best, but more than sufficient.

The mode dial will make the shift from a DSLR a bit simpler, though theres no big green automobile mode on the mode dial. Unlike the X-T4, photographers can put the XH2s into aperture top priority or shutter top priority with the mode dial rather than picking the A from the aperture ring or shutter dial as on the X-T4. That will be more familiar for professional photographers switching from a DSLR, though including a filter area on the dial feels odd for a high-end model.

Its rated to 580 frames, or 720 in Eco mode. It does, however, have the same battery as the X-T4 so photographers updating can utilize their old batteries. If battery life is an issue, the $399 vertical grip includes two extra batteries to the one in the body for a 1700-frame battery life.

Action was not best however likewise excellent. In a single series of 40 fps burst of a child on a Slip N Slide heading straight towards the cam, totaling 53 images, around 15 percent were soft. The majority of those were at the beginning and completion of the burst. This was a respectable hit rate for such a high speed, though I mostly chose the 15 fps mechanical shutter simply due to the fact that 40 fps is an outright headache to cull.

The Fujifilm X-H2s utilizes a stacked sensor, yet its still an X-Trans. While the cam is fast, the images still feel every bit a Fujifilm. I was thrilled to find the very same color science and color profiles. The only time I felt color modifying was required was in difficult lighting. For instance, light showing off a green and blue Slip N Slide needed some changes. Otherwise, like with my X-T4, I could pick among the Fujifilm profiles and make small white balance adjustments if I didnt get it right in the cam.

JPEG

Image Quality

Focusing

Edited RAW with emphasize recovery

Part of the speed update is the brand-new X-Processor 5 and besides speed, the processor also influences noise at high ISOs. ISO 1600 still looked pretty tidy. At ISO 6400, sound is noticeable but felt a bit smoother than images from my X-T4.

When more puts the H line at the top after the X-H1 was eclipsed by the stabilization in the X-T4, including image stabilization. It provides a much beefier grip than the X-T series, a smarter autofocus system, and more high-end video specs. It lacks the identified shutter iso, speed and direct exposure payment dials, however, and depends on more buttons. Naturally, Fujifilm has currently announced that a 40-megapixel X-Trans sensing unit remains in development, so its uncertain for how long the X-H2s will remain the flagship.

I require more than a week with this cam to give it a last grade. But as a Fujifilm X-T4 shooter myself, theres a lot to like about the X-H2s, particularly the autofocus, burst speed, stabilization, and comfortable grip.

Tech Specs

The X-H2s also recorded a quite solid dynamic range. I was surprisingly able to recuperate an overblown sky quite well on the RAW file. Shadows were also simple to brighten up in post.

First Impressions

With a stacked sensing unit and item detection autofocus, the X-H2s brings much of what Fujifilms line-up was missing out on. While my first week with the video camera isnt enough to persuade me that the X-H2s will dethrone Canon and Sonys autofocus system, its enough to know that professional photographers will not be making substantial sacrifices to get those X-Trans colors.

LensRentals lists the following specifications for the Fujifilm X-H2s:

Mount: Fuji.
Still Image Capture 3:2 JPEG/ RAW/ TIFF Image Sizes.
6240 × 4160.
4416 × 2944.
3120 × 2080.
16:9 JPEG/ RAW/ TIFF Image Sizes.
6240 × 3512.
4416 × 2488.
3120 × 1760.

Electronic Front Curtain Shutter Speed.
1/8000 to 900 Seconds.
1/8000 to 4 Seconds in Program Mode.
1/8000 to 30 Seconds in Aperture Priority Mode.
Up to 60 Minutes in Bulb Mode.

Continuous Shooting (Electronic Shutter).
As much as 40 fps at 26.1 MP for as much as 184 Frames (JPEG)/ 140 Frames (RAW).
As much as 30 fps at 26.1 MP for Unlimited Frames (JPEG)/ 180 Frames (RAW).
Approximately 20 fps at 26.1 MP for Unlimited Frames (JPEG)/ 800 Frames (RAW).
As much as 15 fps at 26.1 MP for Unlimited Frames (JPEG)/ 1000 Frames (RAW).

Wireless: 2.4/ 5 GHz Wi-Fi 5 (802.11 air conditioner), Bluetooth.
Worldwide Positioning (GPS, GLONASS, and so on): None.
Internal Video Capture: H. 265/MOV 4:2:2 10-Bit Recording Modes.
6.2 K (6240 × 4160) at 23.98 p/24.00 p/25p/29.97 p [360 to 720 Mb/s] DCI 4K (4096 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p/100p/119.88 p [360 to 720 Mb/s] UHD 4K (3840 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p/100p/119.88 p [360 to 720 Mb/s] DCI 2K (2048 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p/100p/119.88 p/200p/239.76 p [360 to 720 Mb/s] Complete HD (1920 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p/100p/119.88 p/200p/239.76 p [360 to 720 Mb/s] H. 265/MOV 4:2:0 10-Bit Recording Modes.
6.2 K (6240 × 4160) at 23.98 p/24.00 p/25p/29.97 p [360 to 720 Mb/s] DCI 4K (4096 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [360 to 720 Mb/s] UHD 4K (3840 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [360 to 720 Mb/s] DCI 2K (2048 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [360 to 720 Mb/s] Full HD (1920 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [360 to 720 Mb/s] H. 265 Long GOP/MOV 4:2:2 10-Bit Recording Modes.
6.2 K (6240 × 4160) at 23.98 p/24.00 p/25p/29.97 p [50 to 720 Mb/s] DCI 4K (4096 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [50 to 720 Mb/s] UHD 4K (3840 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [50 to 720 Mb/s] DCI 2K (2048 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [50 to 720 Mb/s] Complete HD (1920 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [50 to 720 Mb/s] H. 265 Long GOP/MOV 4:2:0 10-Bit Recording Modes.
6.2 K (6240 × 4160) at 23.98 p/24.00 p/25p/29.97 p [50 to 720 Mb/s] DCI 4K (4096 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [50 to 720 Mb/s] UHD 4K (3840 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [50 to 720 Mb/s] DCI 2K (2048 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [50 to 720 Mb/s] Full HD (1920 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [50 to 720 Mb/s] MOV/ProRes 422 HQ 4:2:2 10-Bit Recording Modes.
6.2 K (6240 × 4160) at 23.98 p/24.00 p/25p/29.97 p [2754 Mb/s] DCI 4K (4096 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [1877 Mb/s] UHD 4K (3840 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [1877 Mb/s] DCI 2K (2048 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [440 Mb/s] Full HD (1920 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [440 Mb/s] MOV/ProRes 422 4:2:2 10-Bit Recording Modes.
6.2 K (6240 × 4160) at 29.97 p [1840 Mb/s] DCI 4K (4096 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [1254 Mb/s] UHD 4K (3840 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [1254 Mb/s] DCI 2K (2048 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [294 Mb/s] Full HD (1920 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [294 Mb/s] MOV/ProRes 422LT 4:2:2 10-Bit Recording Modes.
6.2 K (6240 × 4160) at 29.97 p [1277 Mb/s] DCI 4K (4096 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [870 Mb/s] UHD 4K (3840 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [870 Mb/s] DCI 2K (2048 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [204 Mb/s] Complete HD (1920 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [204 Mb/s] H. 264 ALL-Intra/MOV 4:2:0 8-Bit Recording Modes.
DCI 4K (4096 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [360 Mb/s] UHD 4K (3840 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [360 Mb/s] DCI 2K (2048 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [360 Mb/s] Complete HD (1920 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [360 Mb/s] H. 264 Long GOP/MOV/MP4 4:2:0 8-Bit Recording Modes.
DCI 4K (4096 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [50 to 360 Mb/s] UHD 4K (3840 × 2160) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [50 to 360 Mb/s] DCI 2K (2048 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [50 to 360 Mb/s] Complete HD (1920 × 1080) at 23.98 p/24.00 p/25p/29.97 p/50p/59.94 p [50 to 360 Mb/s]

Electronic Shutter Speed.
1/32000 to 900 Seconds.
1/32000 to 4 Seconds in Program Mode.
1/32000 to 30 Seconds in Aperture Priority Mode.
Fixed 1 Second in Bulb Mode.
1/8000 to 1/4 Second in Movie Mode.
Bulb/Time Mode.
Bulb Mode.

Metering MethodAverage, Center-Weighted Average, Multi-Zone, Multiple, Spot.

ISO Sensitivity (Photo).
160 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200).
ISO Sensitivity (Video): 160 to 12,800 in Manual, Auto Mode (Extended: 160 to 25,600).

Gamma CurveFUJIFILM F-Log, FUJIFILM F-Log 2.

Other I/O.
1x USB Type-C (USB 3.2/ 3.1 Gen 2) Control/Data/Tether Input/Output (Shared with Power Input).
1x 2.5 mm Sub-Mini Control Input.
1x PC Sync Socket (Sync) FlashSync Output.

Image Stabilization: Sensor-Shift, 5-Axis.
Built-In ND Filter: None.
Catch Type: Stills & & Video.
Interface Memory Card Slots.
Slot 1: CFexpress Type B.
Slot 2: SD/SDHC/SDXC (UHS-II).

Interval Recording: Yes.
Self-Timer: 2/10-Second Delay.
External Video Capture, External Recording Modes, RAW 12-Bit by means of HDMI 6.2 K (6240 × 4160).
IP Streaming: Yes.
Flash: No Built-In Flash.
Flash Modes: Auto, Commander, First-Curtain Sync, Manual, Off, Second-Curtain Sync, TTL Auto.
Optimum Sync Speed: 1/250 Second.
Committed Flash System: TTL.
External Flash Connection: Hot Shoe, PC Terminal.
FocusingFocus Type: Auto and Manual Focus.

Recording Limit: Up to 90 Minutes.
Video System: NTSC/PAL.
Built-In Microphone Type: Stereo.
Audio Recording.
MOV: 2-Channel 24-Bit 48 kHz LPCM Audio.
MP4: 2-Channel AAC Audio.

Exposure Modes: Aperture Priority, Manual, Program, Shutter Priority.
Direct exposure Compensation: -5 to +5 EV (1/3 EV Steps).
White Balance: 2500 to 10,000 K.
White-Balance Presets: Auto, Daylight, Fluorescent, Incandescent, Shade, Underwater.
Constant Shooting (Mechanical Shutter).
Approximately 15 fps at 26.1 MP for Unlimited Frames (JPEG)/ 1000 Frames (RAW).
Up to 10 fps at 26.1 MP for Unlimited Frames (JPEG)/ Unlimited Frames (RAW).
As much as 8 fps at 26.1 MP for Unlimited Frames (JPEG)/ Unlimited Frames (RAW).

Focus Modes: Continuous-Servo AF, Manual Focus, Single-Servo AF.
Autofocus Points (Photo and Video): Phase Detection: 425.
Imaging.
Lens Mount: FUJIFILM X.
Sensor Resolution: Effective: 26.16 Megapixel (6240 × 4160).
Sensing unit Type: 23.5 × 15.6 mm (APS-C) CMOS.
Crop Factor: 1.5 x.

Power I/O1x USB Type-C Input/Output.

Video I/O: 1x HDMI Output.
Audio I/O.
1x 1/8 ″/ 3.5 mm TRRS Headphone/Mic Microphone Input on Camera Body.
1x 1/8 ″/ 3.5 mm TRRS Headphone/Mic Headphone Output on Camera Body.

Exposure Control.
Shutter Type: Electronic Shutter, Mechanical Focal Plane Shutter.
Mechanical Shutter Speed.
1/8000 to 900 Seconds.
1/8000 to 4 Seconds in Program Mode.
1/8000 to 30 Seconds in Aperture Priority Mode.
Up to 60 Minutes in Bulb Mode.

Environmental
Battery Type: 1x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 720 Shots).
Tripod Mounting Thread: 1x 1/4 ″ -20 Female (Bottom).
Accessory Mount: 1x Hot Shoe Mount on Camera Body.
Measurements (W x H x D): 5.4 × 3.7 × 3.3 ″.
Weight: 1.3 lbs. (Body Only); 1.5 pounds. (Body with Battery and Memory Card).

Product Type Camera.
Mfr. Design Number 16756924.
Display.
Size: 3.0″.
Resolution: 1,620,000 Dot.
Show Type: Free-Angle Tilting Touchscreen LCD.
Secondary Display: Top: 1.28 ″ LCD Status Display.

1:1 JPEG/ Raw/ TIFF Image Sizes.
4160 × 4160.
2944 × 2944.
2080 × 2080.

Aspect Ratio: 1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24.
Image File Formats: HEIF, JPEG, RAW, TIFF.
Bit Depth: 14-Bit.
Viewfinder.
Built-In Electronic (OLED).
0.5 ″.
Resolution: 5,760,000 Dot.
Eye Point: 24mm.
Protection: 100%.
Magnification: Approx. 0.8 x.
Diopter Adjustment: -5 to +3.

The Fujifilm X-H2s feels a bit like the Nikon D850 and the Fujifilm X-T4 had an illegitimate love child, however thats not bad. Hopping over the viewfinder bump and hot shoe slot, youll find an actual mode dial with 4 manual modes, seven customized slots, a filter mode, and video.

While the X-H2s looks a bit more DSLR-like than Fujifilms other bodies, the build quality is traditional Fujifilm mirrorless. The mode dial will make the shift from a DSLR a bit much easier, though theres no big green auto mode on the mode dial.

While the X-H2s is as soon as more at the top of Fujifilms line-up, it trades Fujifilms classically-inspired top dials for a bigger grip and a secondary LCD screen.

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